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The
Lovely
Aimi MacDonald
A small tribute page to Aimi MacDonald, the real reason that ‘At last the 1948 Show’ was so
popular!
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As ‘Lily’ in ‘Vendetta for the Saint’ :1968 |
As ‘Rosie’ in ‘The Avengers – Return of the Cybernauts’: 1967 |
As ‘Susie Starlight’ in ‘Rentaghost’: |
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At last – the
1948 Show |
Mapp &
Lucia - The Musical (13
February - |
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‘Summer Holiday – the
musical’:2003 |
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One of Burt Bacharach and Hal
David's smash hit 60s musicals, this soundtrack is taken from the UK London
West End cast and is the best recording of the score. Hard to find and issued
only in the |
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Born: 27 February 19?? In Glasgow, Scotland, UK .
From http://www.maddengroup.pwp.blueyonder.co.uk/bar/details/aimimcd.htm
Height: 5'7"
Eyes: Green
Hair: Blonde
At a very young age Aimi Macdonald began
as a dancer with Le Charley Ballet
Company playing major venues in
musical was ON THE TOWN in 1963, directed by Joe Layton. Following BOYS FROM
SYRACUSE, FIELDINGS MUSIC HALL and cabaret performances in leading West End
nightspots Aimi was spotted by Marty Feldman and John Cleese and became
a household name following her performance in the television show
AT LAST THE 1948 SHOW
Aimi went on to star in the musical LADY
BE GOOD and had successful
National tours with BAREFOOT IN THE PARK, the highly acclaimed
BORN YESTERDAY and played the title role in MIRANDA.
Ray cooney directed her in the
with Terry Scott and at
of THE PRIME OF MISS JEAN BRODIE where she was highly acclaimed
for her performance of "Jean Brodie". With the Perth Theatre Company
she starred in THE SLEEPING PRINCE and as "Jeanne" in PRESENT
LAUGHTER
which she performed again in at The Crucible Theatre playing the role of
"Monica."
Aimi toured Nationally with Brian Murphy and Carmen Silvera in WHY ME and then
went on to play "The Actress" in WHODUNNIT? by Anthony Shaffer.
Aimi then returned to the West end for a Highly successful season at The
Criterion
Theatre in RUN FOR YOUR WIFE. Following a National tour of A SITUATION COMEDY
Aimi then performed three different roles in Christopher Durang's
BABY WITH THE BATH WATER at The Boulevard Theatre.
Television appearances include THE ROLF
HARRIS SHOW, THE LES DAWSON SHOW,
THE WORLD OF SHIRLEY MACLAINE, CELEBRITY SQUARES, BLANKETY BLANK
and GIVE US A CLUE and a regular spot on THE JOHN DAVIDSON SHOW
which also showed in the States. Aimi starred in a sitcom for STV, DO YOU COME
HERE OFTEN and a special THOSE WONDERFUL SCOTTISH GIRLS with Lulu and Annie
Ross.
In RENTAGHOST Aimi played "Susie Starlight."
Aimi's film credits include TAKE A GIRL LIKE YOU with Oliver Reed, VENDETTA with Roger Moore and NUMBER ONE OF THE SECRET SERVICE with Nicky Henson.
Agent...Rolf Kruger Management Ltd
Tel: 0171 224 4493 Fax: 0171 224 4273
Other TV appearances:
Film Appearances:
Starring Roles
The
John Davidson Show (1969) - Regular
At
Last the 1948 Show (1967) - Various Characters
Guest Starring Roles
Baddiel's
Syndrome - Woman - The
Skip (2001)
Get
Real (UK) - Louise - Hero
(1998)
The
Saint - Lilly - Vendetta
for the Saint (2) (1969)
The
Avengers - Rosie - Return
of the Cybernauts (1967)
Veteran actress, Aimi Macdonald stars as Stella, Barbara’s mother, who
chases her run-away daughter across
Aimi is no stranger to the stage. She has a CV as long as your arm and
can boast working alongside some of the greats over the years.
But when it was announced she would be working alongside a member of
Hear’Say, she admits to being a little hesitant. Having spent rehearsal time
with the whole cast however, any fears were soon dismissed.
Aimi, "Oh she can do it. This was the joy in rehearsals - I know
Suzanne won’t mind me saying this - but we were ‘oh this little girl from
Hear’Say is playing the lead!’, and we were like, ‘oh yeah, right, ok’ and then
two days into rehearsals you looked at her and you thought, ‘Jesus Christ, she
can do it, where’s she been?’
And along with fellow stage veteran, Christopher Biggins, she can offer
advice and guidance and Aimi is quite happy to be the mother role backstage to
both Stefan and Suzanne.
Aimi, "I think it’s exciting ‘cos as young people kick-starting
their career really, musicals I think are great. I mean I started in musicals
and I think you learn an awful lot about an awful lot of the business just
being in a musical."
But despite the wealth of experience, Aimi still envies Stefan for his
soap background.
Aimi, " I’m dying to get into a soap, ‘cos I think you do that at
the end of your career. It’s the only genre - I’ve done everything else - but I
haven’t done a soap. It would be like a steady job. I could get a mortgage and
all that stuff. You can buy a fridge!"
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Taken from: http://www.televisionheaven.co.uk/atlast.htm
Another show, that alongside The Frost Report
and Do Not Adjust Your Set, lead directly to the life of Python, and
one that brought together some of the leading comedy writers and performers
who would be tickling the public's funny bone for the next decade or more. Executive
producer David Frost brought together Tim Brooke-Taylor, Graham Chapman, John
Cleese (who thought up the title in reference to how long it took the BBC to
make a decision on commissioning any new series) and Marty Feldman to write
and perform a host of zany 'off-the-wall' sketches, which were totally
unrelated except for being linked by 'the lovely Aimi Macdonald'. The only
running joke in the show was that Macdonald, (in typical dumb-blond' style),
thought she was the star of the proceedings and finished each show with an
appeal to viewers to send money to the 'Make the lovely Aimi Macdonald a rich
lady fund.' For the second series a new hostess was added each week so that
by the time the final show came around each sketch was introduced by a
veritable chorus-line of Macdonald-alikes. Marty Feldman, a comedy writer who
up till then was quite content to stay out of the spotlight, was to become a
major star following this series, Tim Brooke-Taylor went on to become one
third of The Goodies (another Goodie, Bill Oddie, appeared on several
occasions) with Cleese and Chapman going on to greater glory in Monty
Python's Flying Circus, which wasn't really so completely different. |